The head of Cineplex says a recent slump in box-office revenues for Canadian films is due to the “quality” of the movies themselves, not a lack of audience appetite for homegrown stories.
Telefilm data released earlier this month shows domestic films earned nearly 41 per cent less in 2025 compared to the previous year, even as some Hollywood blockbusters helped buoy overall theatrical attendance.
Cineplex president and CEO Ellis Jacob said in an interview that audiences are willing to support Canadian productions, but argued “the quality of the content is not bringing droves of people to the theatres.”
Jacob spoke about the films industry Wednesday after it was announced he will receive the Legend of Cinema Award at CinemaCon in Las Vegas this spring, becoming only the second recipient of the honour after filmmaker Martin Scorsese.
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He noted awareness of domestic titles is often lower and attracting high-profile talent remains a challenge, as many Canadian actors and filmmakers find larger financial opportunities abroad.
Jacob said Cineplex works to ensure Canadian films receive screen time across its theatres, but added that programming decisions ultimately depend on audience demand.
"It's all about the quality of the film and what the guests want and what our visitors want to see at the movie theatre. I don't think it has to do with the fact that it's a Canadian film," he said.
Telefilm says Canadian films generated $13.9 million in 2025, down from $23.5 million in 2024 — a 40.9 per cent year-over-year decline. The result makes 2025 the third lowest performing year of the past decade, ahead of only the pandemic-affected 2020 and 2022
Out of 139 Canadian films released last year, just three earned more than $1 million at the box office. The Quebec comedy "Menteuse" led the pack with $2.6 million in revenue, while the family film "Ma belle-mère est une sorcière" and the animated feature "Night of the Zoopocalypse" each brought in over $1.1 million.
Jacob suggested Canadian filmmakers could benefit from developing stories that resonate more directly with audiences and reflect the country’s diverse communities.
“I think we have to strengthen the kinds of films that we make and we also then have to market to the clientele that we think want to see the movie,” Jacob said.
“Because look, there are certain parts of the country where a Bollywood film outgrosses a Hollywood film. And that's all because of who lives in the destinations and who wants to see those kinds of movies.”
Jacob said it would be beneficial for more Canadian films to tap into the country’s multicultural audiences. He pointed to the success of last year’s Chinese animated film “Ne Zha II,” which made over $2.2 billion at the global box office, becoming the highest-grossing animated film of all time.
“It's a big industry all over the world, and there's no reason that Canada can't partake in some of those opportunities.”
The Legend of Cinema Award recognizes individuals who have "dedicated their careers to preserving and elevating the unparalleled magic of the shared theatrical experience," says a release. It's presented by Cinema United, which says it's the largest exhibition trade organization in the world.
Jacob became head of Cineplex — Canada's largest theatre chain — in 2003.
"It means a lot because the bottom line is I think it's important for us in Canada to make the entertainment industry and the cinema business very important and (to remain) as a cultural institution where we connect community and inspire audiences from around the world," he said of the accolade.
Over the weekend, Matt Johnson and Jay McCarrol’s Canadian comedy “Nirvanna the Band the Show the Movie” earned an estimated $290,000 domestically over three days, with a projected $350,000 for the four-day weekend, marking the biggest opening for a live-action English-language Canadian film since Johnson’s 2023 hit “BlackBerry.”
Jacob said the “Nirvanna” film is “doing really well for us.”
“So there are ones that do deliver.”
Cineplex reported a sharp drop in fourth-quarter profit last week, falling nearly 90 per cent to $369,000 compared with $3.3 million in the same period last year.
Jacob said the results largely reflect the content lineup and broader industry disruptions.
“To me, every quarter is dependent on the content. I’ve never worried about one quarter over the other. It’s basically looking at the business on the long term,” said Jacob, who will retire at the end of this year.
“We got hurt for a number of reasons — we had COVID, we had the strikes. Those really hurt us and that’s what we have to come out of.”
He said he’s confident in the Toronto-based theatre chain’s upcoming slate, which includes “The Super Mario Galaxy Movie,” “Toy Story 5,” a live-action remake of Moana, and “Spider-Man: Brand New Day” — all scheduled for spring or summer releases.
“I’m pretty optimistic going forward. I’d love to end my career on a high.”
This report by The Canadian Press was first published Feb. 18, 2026.
